FAST DELIVERY: We ship our designs from three different locations (UK, USA & Germany) to enable the fastest, most efficient delivery and to keep shipping costs to a minimum for our customers.
"Great poster (Amy Winehouse) - I absolutely love it!!" David was great to work with! He was very responsive and really went the extra mile to make sure that I received my shipment and was satisfied. I couldn’t recommend them enough! 5 stars all around. " Scott ★★★★★
"Beautifully produced print, great service and quick delivery. Thank you " Karen ★★★★★
"I recently purchased this print and I couldn’t be more pleased with my purchase. The print is done on heavy paper and the image is very clean and crisp. It was delivered to the United States in a heavy tube and was undamaged.I’ll definitely order from John7arts again." Charles ★★★★★
These highly collectable, hand finished giclée prints were created on archival fine art paper and celebrate The Clash playing Notre Dame Hall in London's Leicester Square on the 5th & 6th July, 1979 and Newcastle Mayfair Ballroom on the 12th June 1980. They are the result of a collaborative work between multimedia artistDavid Lloyd and renowned rock photographer Virginia Turbett.
The high quality inks and materials used, combine to produce incredibly rich colours and detail with a light fastness guarantee in excess of 60 years indoor display life. Please select your print size by using the scroll down menus and your price will change accordingly. Please note: Due to worldwide shipping constraints, we are unable to sell our prints mounted and framed as illustrated.
Originally from the North East of England, David Lloyd is an alumni of Central Saint Martins and the Institute of Contemporary Arts in London. He has exhibited at the Royal Academy and spent most of his life working as an artist, musician and composer on both sides of the Atlantic.
I was there :)
One night, a few years ago, I was standing in a queue at a gig when I overheard three young girls talking behind me. “I wish I’d seen The Clash” said one, “Oh yeah, me too, I’d give anything to have seen The Clash” replied her friend.
Over thirty years after they split, a Clash gig remains a coveted place to be. I feel really lucky that I got to see them, to have been in amongst the heat, the power, the energy and the gob that was being down the front at a Clash gig. There was so much gob, it was horrible. I had to wipe it off my lenses with my T-shirt then I’d get home and find it all over my back, my hair and my bag.
They looked so bloody good: the hand-painted logos on shirts, combats and jackets, the onstage and off-stage poses, the cheekbones! They gave us the music that filled their souls – reggae. Before they came on stage there was a masterclass in reggae and dub – obscure tracks that were impossible to source. Then there was their music… which was relevant in every town and city, not just in this country but across the world. Everyone could sing along with Joe – angry, loud and brash about the system that was failing them and their people – and we still do.
Photographer Virginia Turbett’s first photo assignment was with the Sex Pistols while they were filming the Pretty Vacant video. She spent the next ten years photographing for Sounds, Smash Hits, The Face and ID: the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes. Her work took her to the USA and Europe shooting features for hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness, David Bowie and Duran Duran.