FAST DELIVERY: We ship our designs from three different locations (UK, USA & Germany) to enable the fastest, most efficient delivery and to keep shipping costs to a minimum for our customers.
"Great poster - I absolutely love it!!" David was great to work with! He was very responsive and really went the extra mile to make sure that I received my shipment and was satisfied. I couldn’t recommend them enough! 5 stars all around. " Scott ★★★★★
"Beautifully produced print, great service and quick delivery. Thank you " Karen ★★★★★
"I recently purchased this print (Amy Winehouse) and I couldn’t be more pleased with my purchase. The print is done on heavy paper and the image is very clean and crisp. It was delivered to the United States in a heavy tube and was undamaged.I’ll definitely order from John7arts again." Charles ★★★★★
'Live At The 100 Club' is a montage created by multimedia artist David Lloyd in collaboration with renowned rock photographer Justin Thomas. The print celebrates The Rolling Stones 'secret' performance the 100 Club in Oxford Street, London on Monday 1st May, 1982.
The high quality inks and materials used, combine to produce incredibly rich colours and detail with a light fastness guarantee in excess of 60 years indoor display life. Please note: Due to worldwide shipping constraints, we are unable to sell our prints mounted and framed as illustrated.
Originally from the North East of England, David Lloyd is an alumni of Central Saint Martins and the Institute of Contemporary Arts in London. He has exhibited at the Royal Academy and spent most of his life working as an artist, musician and composer on both sides of the Atlantic.
Photographer Justin Thomas devoted over 35 years to working in the front line of the music industry, documenting the history of Rock 'n' Roll from Punk to Britpop through the lens of his camera and has shot everyone from Led Zeppelin and Prince to Bob Marley and The Stone Roses.
"It was the end of April 1982 and, along with seemingly the rest of the world’s media, I turned up at Le Beat Route in Soho at Their Satanic Majesty’s Request to hear the news of the upcoming UK dates at Wembley Stadium. How could I have imagined then, that less than a month later, I’d be one of the lucky 250 people to get within touching distance of The Rolling Stones at my fave gig ever.
On the fateful day, rumour of a “secret” gig in London was spreading, but this was long before the days of internet and mobiles, so I jumped on the tube and hit all the small clubs where I thought they might play; The Nashville, Dingwalls, The Marquee, The Rock Garden, etc, etc. The last port of call was The 100 Club where there was a girl standing outside on her own. I asked her if she was hoping to see The Stones, she replied “I think so”. I was tired of roaming the city, so I thought this was as good a place as any to have a breather.
Over the next hour, people started arriving in two’s and three’s. No-one knew for certain ‘cos the band booked to play that night were ‘Diz and the Doormen.’ After about two hours, a guy turned up and said we should all head for HMV on the corner of Tottenham Court Road where we’d be given a wristband for entry. Once that was secured, it was straight to a payphone to tell as many mates as possible.
It was a bank holiday weekend, so most people were away or it was just too short notice. I heard later that bemused tourists had been beckoned in off a deserted Oxford Street to what would turn out to be the greatest gig they’d ever witness. That was certainly the case for me.
My flashgun popping off all the time five yards from Mick’s face annoyed him so much he threw a bucket of water at me! There were a few onstage ‘cos it was like an oven in there. Luckily, I saw it coming and ducked. It hit my girlfriend full in the face, knocking her glasses off, flattening her 80’s ‘big hair’ and making her mascara run down her cheeks. SHE went home; I stayed and enjoyed a masterclass."
Justin Thomas
2018
Please note: Due to shipping constraints, we are unable to sell our limited edition prints mounted and framed as pictured.